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清朝郎世宁旷世极品“孔雀开屏图”
"Peacock Spreading Its Feathers" By Qing Dynasty - Castiglione (Lang Shining)

清朝郎世宁“孔雀开屏图”真跡  136x163cm

“孔雀开屏图经过显微镜放大后验证图

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  局部 02

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孔雀开屏图古画为绢本设色画,为清代乾隆朝时郎世宁所绘,不羁的气概与洒脱聪颖的才华,历代鉴赏家均推崇备至,咸认为旷世极品。以下这幅较大为横282公分、纵328公分,收藏于台湾国立故宫博物院,另一幅为横136公分、纵163公分,收藏于【世文联】名誉理事苏坤地先生馆中。

【台湾国立故宫博物院】将“孔雀开屏图藏品展出。

 

【世界文化艺术联合总会】创会开幕典礼将“孔雀开屏图”隆重展出。

郎世宁在康雍乾三朝不仅专事创作,将欧洲绘画的技法传授给中国画家,也与中国画家共同合来创作。这幅《孔雀开屏图》便由郎世宁绘制孔雀两只,身旁景物为方琮与金廷标补景,署名郎世宁作,是郎世宁此时中西「合笔画」的重要作品。此“孔雀开屏图”绘于白绢,局部画面2只公孔雀居中,孔雀雄者有椭圆尾屏,五年尾长可至二、三尺。平时收拢于身后,伸展开来羽色金彩焕目。画面位于皇家园囿青绿叠石造景中,旁植玉兰、牡丹、海棠,具有“玉堂富贵”之寓意。

Lang Shi Ning, formerly known as Giuseppe Gasstirio (Italian: Giuseppe Castiglione, July 19, 1688 – July 17, 1766) of Italian descent was a Catholic Jesuit missionary and Chinese court painter. His realistic painting style documented the Chinese court figures and scenery in the early Qing Dynasty.

Castiglione did not only focus on creating his own masterpieces during his time with the three ruling emperors – Emperors Kangxi, Yongzheng and Qianlong. He also taught European painting techniques to the Chinese painters, and collaborated with them on artworks.

 

Castiglione himself. The scenery in the background was painted by two Chinese court painters Fang Cong and Jin Tingbiao. Signed by Castiglione, this was an important classic work of “co-painting” combining Eastern and Western aesthetics at the time.

This painting was created on white silk and shows two peacocks in the centre, and the male peacock has an oval-shaped tail screen,Its tail showcases beautiful feather colours, which is truly a dazzling sight to behold. The backdrop is set in the royal garden, over a turquoise stacked stone landscape,The magnolia, peony, and begonia connotes the idea of “wealth and nobility in halls of jade”.

Since this “Peacock Spreading Its Feathers” is a rare masterpiece, it is also highly regarded by art appreciators from past to present. During the opening ceremony of the Federation of World Cultural & Art Society in 2018, it was publicly displayed in a glass cabinet for visitors to appreciate.

This painting is 136 cm wide and 163 cm long, It is currently in the care of a honorary member of FOWCAAS.

The other painting is 282 cm wide and 328 cm long. It is currently in the possession of the National Palace Museum in Taiwan.

 

 

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