斯里雅塔拉图腾是一个可见且可知的核心,一个连接的线图,可视化的能量集中在一起。有不同类型的雅塔拉和斯里雅塔拉是属大雅塔拉。其他属小雅塔拉(唵雅塔拉,卡里雅塔拉等)显然是所有拥抱斯里雅塔拉的一部分。雅塔拉可以由许多物质的形式制成永久图腾。最重要的是喜马拉雅水晶。它的透明无色物质,其形状可以将光线聚焦在其顶点,形成一个非常好的标志,用于基本现实的所有包容性物质,就像无色光包括所有可能的光线颜色一样。所以水晶可以作为包含所有物质的物质的类比。
这件作品于2005年在尼泊尔的加德滿都市一个名为帕坦古城的遗产小镇所制作,当时仁波切开光过后由信徒安置在寺廟供奉,一直到2015年尼泊尔地震发生,为了筹款重新建廟,才转入新加坡让有缘人来结缘收藏。
The Sriyantra Totem is a visible and knowable core, a linked diagram of lines by which the visualizable energies are concentrated. There are different types of yantras and Sri Yantra is the Great Yantra. Other lesser yantras (e.g. the Om Yantra and the Kariyatala, etc.) are clearly the parts that embrace Sri Yantra. Yantra can be made into permanent totems from many forms of matter, the most important being the Himalayan crystal. It’s a transparent, colorless matter whose shape can focus light at its apex, and forms a very good symbol for all inclusive substances of basic reality. Just as colorless light can include all possible light colors, so can crystal be used as an analogy of a matter that contains all matters.
This precious Buddhist treasure was made in the ancient town of Patan in Nepal in 2005. After it was activated by Rinpoche, it was placed by the believers in the temple. It was in the temple for more than half a century until the earthquake in Nepal in 2015. To rebuild the temple, it was sold to raise funds which was how it eventually came under the ownership of a Singaporean collector.